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February 2012
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RETORT GALLERIES


Tes One. (click image)

Dameon Priestly (click image)

Katherine Fiedler (click image)

Ray Caesar (Click Image)
Updated February 12, 2010, 10:57 am

ABOUT RETORT

RETORT MAGAZINE ISSN 1445 – 7164

For those who protest that most of these thousands of journals can be dismissed as marginal—that we need pay attention to only a handful of “prestigious” ones, like Poetry and The New Yorker—may I suggest that there could be a few Blakes or Dickinsons swimming with the guppies in that wide prosodic sea? If a truly titanic poet were to appear, wouldn’t one of the less visible but more adventuresome journals—Retort Magazine, say (“we favor the cutting edge over the blunt of the handle, the avant-garde over backward walking”)—be more likely to be his or her publisher than would status-conscious professional journals like Ploughshares and American Poetry Review?” – David Alpaugh, February 21, 2010 The New Math of Poetry, The Chronicle Review – The Chronicle of Higher Education Washington D.C, U.S.A

and with retorted scorn his back he turnedMilton

Retort Magazine is dedicated to the publication and presentation of new innovative, experimental cutting edge art + text in all disciplines. Retort Magazine publishes both fiction and non fiction. Retort has published some of the worlds best known artists and writers but is also a platform for new and emerging writers and artists. We favor the cutting edge over the blunt of the handle, the avante-garde over backward walking, the delinquent imagination over the hammered economic mind. We publish four times a year in a perfect-bound full color paperback 19cm*19cm square book format, (av. 80 pages) and also at this website on a semi-regular itinerary.

HISTORY

Founded in the laundry of an old queenslander behind a gas station in Brisbane in 2001 by Australian Poet Brentley Frazer RETORT was originally conceived as a spinoff to a live poetry/music/art/performance event called The Vision Area. The Vision Area was a monthly ‘culture jam’ started by Brentley and the Poet Adam Pettet and hosted by Ric’s Bar in Fortitude Valley, Brisbane, Australia. The Vision Area ran from 1998 – 2000 and only ended when the co-ordinators felt they had drained the talent pool.

In the beginning Retort was published as bi-monthly online magazine. In 2003 after receiving a development grant Retort moved to an experimental ‘live’ format with new content being published whenever something cool arrived in the submissions inbox. After the experiment was deemed impossible by the exhausted editor (without the budget of at the very least a mid-sized newspaper in a large city), Retort resumed publishing on a semi-regular basis and has continued, throughout a whole decade, reaching millions of individual readers.
Retort is now based wherever the Editor is – which is usually somewhere on planet Earth.

Retort Magazine is archived on site and since 2003 also by The National Library of Australia as part of the Pandora Project which aims to permanently preserve electronic publications based on their national and cultural significance.

As of May 2010 RETORT QUARTERLY will launch, presenting a 19*19cm format book 4 times a year, with an average of 80 pages of art and literature sourced by our editors from all over planet Earth.

What others are saying about Retort Magazine.

Retort linked from an article about the internet and literature in the Guardian UK

Cordite says ‘Retort is one of the truly great success stories of contemporary Australian publishing, and a triumph for democracy as it is understood on this island. ‘ [full review]

Realtime + Onscreen says ‘yum‘ and that Retort pits a feral diversity and a growly avant-gardist manifesto against “the established cult of ignorance consensus idiocy.” in a review of Australian Literature Online

In 2003- Get Underground was enraptured by the variety and outstanding quality of written and visual art…the depth of thought and truly experimental creativity

in 2002 – Interactive Press said ‘Retort is already proving to be an outlet for a new literary generation.